Topic > Analysis of The Tartar Table and The Bondage Suit as great examples of postmodernism

IndexContextLiterature ReviewConclusionPostmodernism was a period in which architecture and design began to move away from the traditional design that preceded it. Design started to become more subjective and diverse. When looking at postmodern design, the question of what postmodernism is more like design comes into question. The Tartar Table was created by Ettore Sottsass in 1985. An outfit called the Bondage Suit was created by Vivienne Westwood, in collaboration with Malcolm McLaren, between 1976 and 1980. Although both are excellent examples of the postmodernism period, the Tartar Table would be considered a much better representation than the Bondage Suit. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Postmodernism was a time of breaking away from the art of the past and expressing more interpentational pieces, which could be seen in many ways. With the idea of ​​postmodernism representing this more unique style, you can compare and decide which is more representative of the postmodern style. Introduction Ettore Sottsass, in 1985, created the Tartar Table. This piece was made for the Memphis Milano company. The piece is constructed with reconstituted wood veneer, plastic laminate, lacquer and plywood. This piece is a creative and unique version of a standard console table and made in postmodern style. The piece has a black base, with a black support rising up the left side, meeting a tan rectangular block, which "balances" on the support rail and rests partially on it, and another black base, slightly shorter than the underlying base. There is a second white support slightly offset to the right of the piece that connects to the top base. On the right is a marble-patterned end stand, resting on a red block, and it also connects to the top base. The lower base is black around the entire block, while the upper base is black above and below, with diagonal lines intersecting around the outer edges. Above the upper base is a second rectangular block, similar to the other but slightly larger, thinner and red. Between the two bases between the side supports, and behind the support in the center is a thin wooden patterned piece, which is a kind of quarter circle with the top cut off, and is smaller than both bases lengthwise, and connects to both bases.Vivienne Westwood created the Bondage Suit in the late 1970s (1976-1980). This dress was made of cotton and metal. Vivienne made with dress in collaboration with Malcolm McLaren. It originated with the standard military trousers of the time. He saw them and put them in the same color as the back of British railway employees' waistcoats, a shiny black satin, which McLaren had seen. The whole outfit is a black trench coat, with a large collar, some pockets and a zipper closure. Underneath the trench coat is what appears to be a button-down shirt in dull and light colors. The pants are full length black, with a kind of skirt attached, held up by chains, also black. Between the knees and connected to the arms are bondage straps, added by Mclaren. Context When comparing these two works of art and their relationship to the very idea of ​​postmodernism, it is important to look at how the objects create that relationship. A characteristic of Postmodernism was “the idea of ​​breaking down the distinction between high art and low art, in particular by incorporating elements of popular culture…”. The ensemble, Bondage Suit, created by Vivienne is a great example of how to take thenormality and incorporate it with the "punk" style of the time. Ettore also does this by incorporating the colors and irregular design used to transform an ordinary console into a unique, vibrant work of art, representative of its time. David Raizman in History of Modern Design discusses laminated surfaces and pattern juxtaposition and connects them to other works of art. He then goes on to discuss “contrasting and overlapping interpretations that are not atypical of postmodern forms…” These statements underline the Tartarus Table’s relationship to postmodernism. The brilliantly laminated surfaces and the use of its juxtaposition together with all the interpretations left by this piece reinforce the style of postmodern. Raizman also addresses Vivienne's piece, describing it and others like it as: “The clothing invokes underground pornography and slavery with chains, skin-tight elastic and shiny materials, and an unbridled freedom of expression meant to celebrate difference and test the boundaries of propriety . " This quote helps show the pieces connection to postmodernism as freedom of expression and testing of property boundaries are great examples of postmodern style. Another feature of postmodernism that relates more to the Tartar table than the Together with Bondage Suit, it is the “ idea that there was an intrinsic meaning to a work of art or that this meaning was determined by the artist at the time of creation. “This relates to the Tartar Table and supports its relationship to the postmodern style as when looking at the piece there is no apparent meaning and allows the interpretation of the view to be decided. Interpretations of this piece can be made through the formation of individual pieces, or the colors they possess, or even through the use of positive and negative space in the piece The Bondage dress can relate to this feature as the idea of ​​what this dress represents can be interpreted differently and apply meaning. different depending on who and at what time this person sees it juxtaposition not only in the use of color, but in the placement of the parts that make up this piece are very representative of the postmodern style. The design of the piece does not take away its function as a console, but takes the traditional ordinary object and makes it unusual and unique . The Bondage Suit on the other hand is unique and the design does not necessarily limit its function, but it is not to the same extent as the Tartar Table. Literature Review Scholar David Raizman published the textbook The History of Modern Design. This textbook was very helpful in creating this article. Raizman's writing was very well organized and was easy to follow and understand. It was helpful in understanding modern design and would also be helpful for others who want to learn more. The content is informative and interesting to read. Colleen Adours, Ashbee: Dawn of the Modern Movement in Design During the “Jack the Ripper” Era!, was another helpful source for this article. The scholars' document was helpful in understanding how to create a comparative document and allowed me to learn the layout and style of the document. The article was well organized and clear to follow, making the process of learning the layout simple. Sarah Jenkins' article “Postmodern Art” was a source that allowed me to further understand postmodern art. Your article is very well written and organized. The layout is very easy to follow and is a good source for anyone who wants to read more about the development of the.