IndexAnalysis of Racial Bias Issues in the Movie "Blackkklansman"Concluding ThoughtsWorks Cited: "All power to ALL the people." This motto is repeated in the latest "Spike Lee Joint". BlacKkKlansman is the latest film from the director of acclaimed films such as Do the Right Thing, Malcolm of Colorado Springs police, as he infiltrates the local chapter of the Ku Klux Klan with the help of his partner, Flip Zimmerman (Adam Driver). Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Without a doubt, BlacKkKlansman is Spike Lee's best film since Do the Right Thing. Not because he returned to the political terrain, since he never left it, but because the film flows, it's a true, human story, and it's a carefully crafted work that transports you from one moment to the next in unexpected ways . It's a hypnotic film that draws you in with its humor and, not so subtly, slowly exerts dramatic pressure to leave you with that same self-reflective feeling that Do The Right Thing managed to do in 1989. Racial tension has often been the essence of Spike Lee's best work, and in a way, Lee is continuing the discussion started in Do the Right Thing with BlacKkKlansman. Analysis of Issues of Racial Prejudice in the Film "Blackkklansman" In the two films, Lee continually presents the question in both how blacks should deal with racial intolerance: through nonviolent objection within the system or through external, violent rebellion ? One of the most notable aspects of BlacKkKlansman is how this conflict is internalized by Ron, who is the first and only black police officer in the department. Ron believes he can make a real difference within law enforcement, despite the spirited objection of a Black Power advocate (Laura Harrier), who argues that Ron is simply a fool who has sold out his fellow African-Americans. Meanwhile, Ron's partner, Flip, is a man with identity issues as a Jew who infiltrates the Klan by impersonating Ron. As Flip delves deeper into the Klan's ranks, his loyalties are continually questioned, forcing him to remain in character as an anti-Semitic racist. Driver is excellent at portraying the cool and composed detective, even as he periodically alludes to the character's internal anxiety. Lee manages to find personal stories in the racially charged chaos that ensues in Colorado Springs and tells them openly and honestly, driving home the point of his film. In fact, it explicitly addresses the similarities between the film's tense atmosphere and the present day. However, his lessons all fall within the bounds of the story he's telling, becoming wry, sarcastic humor rather than heart-pounding exposition. Speaking of humor, perhaps Spike Lee's most telling calling card is the way he handles comedy, and Lee's signature dramatic comedy is everywhere in BlacKkKlansman. This movie is absolutely hilarious. My friends and I, together with our theater, were screaming at some of the jokes and funny situations that Ron and Flip got themselves into. Of course, a lot of the credit goes to the actors, especially when it comes to comedy, but I admire directors who can change tone on a dime, and Lee does it beautifully here. It can make you laugh until your sides hurt, but then it can take you into dark, dark scenes where you feel uncomfortable even looking at the screen, all in a matter of minutes. He continually finds this balance, which I think takes BlacKkKlansman to the next level., 37(1), 75-90.