Attribute the Mona Lisa painting to the artist who painted it. Justify your attribution by discussing the specific visual characteristics of the paintings that are commonly associated with the artist's work. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Introduction The Mona Lisa painting is one of the most expensive, beloved, celebrated, and popular works of art of the Renaissance period. Generally and universally this masterpiece of art has been attributed to Leonardo da Vinci, one of the greatest ancient masters in the history of art. Leonardo da Vinci has been called the true "Renaissance man" because of his masterpieces of art, including the Mona Lisa, for his exceptional visionary characteristics which will be further explored in this also his mastery of portraiture, perspective and realism. There are also a number of essay paintings. Some of these features include the masterful use of oil paint known as ombreto, Leonardo da Vinci which has similar characteristics to the Mona Lisa painting and these include Portrait of the Musician, The Last Supper, The Virgin of the Rocks, Lady with an Ermine , Ginevra de'Benci and Madonna della Rovegliatrice. These similar visionary characteristics will be explored in the essay with the aim of justifying the attribution of the Mona Lisa to Leonardo da Vinci. First, the Mona Lisa is neither signed nor dated like every other work of art by Leonardo da Vinci. Giorgio Vasari claimed that this painting was painted by Leonardo da Vinci and was painting Lisa Gherardine, wife of a Florentine dignitary and wealthy silk merchant. Vasari also mentions that Leonardo employed musicians and troubadours to entertain her, which may explain her enigmatic smile. As usual, as with many of his paintings, Leonardo procrastinated endlessly on the painting. This procrastination can be seen in the position of the subject's hands which are somewhat different from the rest of the painting. Various scholars believe that Leonardo worked on the Mona Lisa for over two decades. Another similar visionary feature of another painting that Leonardo procrastinated on finishing is the Portrait. of the Musician that the artist was never able to complete. The Mona Lisa and the Musician's Portrait are both portraits that highlight Leonardo's mastery of oil painting, his mastery of perspective and realism, these similarities therefore illustrate that these two paintings belong to the same artist: henceforth Leonardo can be attributed to the Mona Lisa paintings in light of these similarities. Furthermore, the Mona Lisa can also be further attributed to Leonardo da Vinci through its similar visionary characteristics with the Virgin of the Rocks which was painted by the artist between 1438 and 1485. The painting like the Mona Lisa also exhibits Leonardo's greatest mastery in nuanced. This oil painting technique involves the gradual and almost imperceptible transition from one color to another through ultra-fine tonal gradations. In the Mon Lisa it is particularly visible in the soft contours of Lisa's face around the eyes and mouth. The use of nuance in both paintings enhances the great serenity enriched by a definite air of mystery and harmony. In the Mona Lisa, Leonardo illustrates the exquisite synthesis of subject and landscape, the Mona Lisa setting the standard for all future portraits. The painting features a half-body portrait of a woman, against a backdrop of a distant landscape. Yet this simple description of an apparently standard composition makes little sense of Leonardo's achievement. The sensual curves of the model's hair and clothes, created through ombre, are echoed in the shapesof the valleys and rivers behind her. The sense of overall harmony achieved in the painting is particularly evident in the subject's faint smile, reflecting Leonardo's idea of ​​the cosmic bond connecting humanity and nature, making this painting a lasting testimony to Leonardo's vision. Even in his other paintings such as The Virgin of the Rocks, The Madonna of the Reverse and The Lady with an Ermine, Leonardo manages to illustrate the same idea that he conveys through the Mona Lisa, namely the cosmic attraction between humanity and nature. Therefore, due to these similar visionary characteristics through which ideas are transmitted, one is forced to attribute the Mona Lisa painting to Leonardo. Furthermore, in his other paintings such as Ginevra de'Benci, The Lady with an Ermine and The Musician Leonardo somehow managed to bring life from his portraits. Before him, portraits were devoid of mystery, artists only represented external appearances without a soul or, if they showed the soul, they tried to express it through gestures, symbolic objects or inscriptions. Only the Mona Lisa is a living enigma: the soul is there, but inaccessible. From the Mona Lisa and his other portraits, one can feel a kind of awe at the miraculous creation of nature and humanity depicted at the same time. Leonardo da Vinci's portraits go beyond their social limits and acquire universal meaning. Although Leonardo worked on the Mona Lisa painting as a scholar and thinker, not just as a painter and poet, the scientific and philosophical aspects of his research did not inspire follow-up. But the formal aspect, the new presentation, the more noble attitude and the greater dignity of the model had a decisive influence on the Florentine portraits of the following twenty years, on the classical portrait. With the Mona Lisa, Leonardo creates a new formula, at once more monumental and more lively, more concrete and yet more poetic than that of his predecessors. Leonardo's mastery of portraiture forever changed the world of art, so because of such impressive visionary characteristics in his paintings, Leonardo deserves his attribution to the Mona Lisa. Furthermore, among all his other contemporaries Leonardo had special skills which he illustrated in paintings such as the Last Supper, the Mona Lisa itself and his other paintings. The burning question among art critics is: what made Leonardo da Vinci's paintings stand out from the work of his colleagues and contemporaries? Many scholars have suggested that this is due to the unique effect of his paintings on viewers, ultimately caused by his impressive scientific approach to his work. For example, he was one of the few artists to master the concept of the "vanishing point", which involves creating a remarkable sense of depth and three-dimensionality in a two-dimensional frame by drawing strong diagonal lines that intersect in the background of the painting. . An excellent example of this technique is found in one of his most famous paintings, "The Last Supper". The room in which Jesus and his disciples are sitting appears symmetrical and realistic, a perfect representation of three-dimensional space, so the walls seem to converge inwards. Likewise this illustration of the techniques is also evident in the Mona Lisa itself in the background of The painting's landscape behind the subject was created using aerial perspective, with its smoky blues and absence of clearly defined vanishing points gives the composition a significant depth. Its details, however, reveal a clear imbalance between the rocky horizons and the lower plains. It is this imbalance that adds to the surreal atmosphere of the painting just like what is conveyed in the Last Supper painting. The exceptional visionary characteristics of both paintings have