The contemporary practice of "neo-conceptualism" is defined by its ability to shock and intrigue. Delvoye made x-rays of sexual acts ("sex rays"), tattoos of live pigs, laser-designed steel towers with intricate cuts, and carefully etched sculpted rubber tires. Despite the technical mastery he demonstrated in many of his sculptural works, Delvoye declared that "all art is useless". For Culco (2000), Delvoye created a digestive machine, a complex trick, installed in the museum's exhibition area, and the purpose is to turn food into feces. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Wim Delvoye is a contemporary Belgian artist known for his innovative and often shocking designs Born in 1965 in Werwik, West Flanders. Much of his work focuses on the body. He connects attractiveness with ostracism, creating works that carry with them intrinsic contradictions: one doesn't know whether to stare, be tempted or look away. Critic Robert Enright wrote in Border Crossing Art Magazine: "Delvoye is involved in a way of making art that redefines the way beauty can be created." It has a selective focus and presents its interest in a range of topics, from bodily function, to surface, to functional function in the current market economy, and many topics in between. Lives and works in Brighton, UK. Delvoye grew up in , a small town in West Flanders, Belgium. He had no religious education but was influenced by the Roman Catholic architecture that surrounded him. In a conversation with Michael Amy of the New York Times, Delvoye said: "I have vivid memories of crowds behind a statue, as well as people kneeling before painted and painted slabs... Although I was barely aware of the ideas behind these species From the images, I quickly realized that the paintings and sculptures are of great importance." Delvoye, who grew up, attended exhibitions with his parents and his love of painting eventually led him to the School of Arts, Royal Academy of. Fine Arts (Ghent). Delvoye said Belgian art students' pessimistic expectations were released, making him realize he had "nothing to lose". Soon after, Delvoye began painting on wallpaper and carpet, coloring existing patterns and challenging the trend toward vibrant freedom of expression in the art world of the time. He sees himself as the creator of concepts: he is initially attracted to the theory behind the works, rather than the painting itself. After 1990, specialists led by Delvoye carried out most of his work. In 1992, Delvoye received international recognition for his "Mosaic" at Documental IX, a symmetrical display of glazed tiles featuring photographs of his own feces. “Wim Delvoye's strength lies in his ability to organize conflicts by combining fine art and popular art and seriously playing against the ridiculous,” said Jean Haute, organizer of Documental IX. Three of his most famous projects are "Cloak", "Art Farm" and a series of Gothic works. Delvoye is also known for his "Gothic" style work. In 2001, Delvoye, with the help of a radiologist, asked several of his friends to paint themselves with small amounts of barium and perform explicit sexual acts in medical X-ray clinics. He then used the X-ray scans to fill Gothic window frames instead of classic stained glass windows. Delvoye suggests that x-ray reduces the body to a machine. When not an active participant, Delvoye observed from a computer screen in another room, leaving subjects enough distance to.